I say these are fun fresh electronic jams to wash over you as you bliss out... daily bandcamp has this to say: "Kicking to the curb the idea that Opal Tapes are about “lo fi” or “outsider” music, this is some of the most exquisitely and sophisticatedly crafted tech house you will hear anywhere right now, its manipulation of space as its velvet grooves and whispering voices flow around you genuinely discombobulating and transporting."
_DJ Pert Plus
i say this is worth checking out just for the tracks by yves de mey, roly porter and kangding ray... below is what daily bandcamp dot com has to say...
_dj golobulus ra
A haunting and utterly captivating overview of the contemporary experimental electronic music scene, In Death’s Dream Kingdom brings together over two dozen artists who mostly operate in the outer musical realm. Every minute of Kingdom is riveting; Pan Daijing’s “The Island Within” pulses and surges, ghostly, monk-like voices occasionally drifting across the groaning electronics. “Box in a Box,” from Pye Corner Audio, opens with a grim, rhythmic pulse and gradually threads in a chilling synth lead. All of the songs on Kingdom are defined by a feeling of ominousness; Sophia Loizou’s “Shadows of Futurity” is more shudder than song, ripples of electronics entering and fading like phantoms in a dark house, and Spatial’s aptly-named “Haunted Dance Hall” is constructed from clatters and creaks. Even tracks where the tempo is more aggressive, like Gazelle Twin’s fitfully kicking “The Dream Ends,” are sunk deep in a sense of unease. In Death’s Dream Kingdom is the soundtrack to empty factories in the dead of night. It is full of ghosts, and gripping from start to finish.