o.r.a.n.s.s.i. p.a.z.u.z.u. - 'v.a.l.o.n.i.e.l.u.' (2013)
_alibi
Category:
v.o.i.d.c.r.a.e.f.t. - 'ἕ.β.ε.λ.' (2016)
_mink nun
Category:
o.r.a.n.s.s.i. p.a.z.u.z.u. - 'v.ä.r.ä.h.t.e.l.i.j.ä.' (2016)
finnish psych metal on 20 buck spin records.
_mink nun
Category:
j.u.t.e. g.y.t.e. - 's.h.i.p. o.f. t.h.e.s.e.u.s.' (2015_
microtonal black metal using just intonation? you had me at hello.
_alibi
Notes:
Elaborating on the themes of continuity of consciousness, identity and change, there is a lot of imitative polyphony on this album. The title track opens with a two-voice canon (A), followed by a riff derived from that canon, itself joined halfway through by a second guitar in an inversion canon. After this riff, a new two-voice canon (B) appears which is joined at its midpoint by a return of the first canon, creating a four-voice double canon. The inversion canon riff recurs, followed by another inversion canon riff, derived from canon B, that ends the track,. "Grief of New Desire" opens with a four-voice, four-note canon. The note sequence D-half flat, C-half sharp, D flat, C natural is repeated on four guitars, each in a different octave, each starting on a different note in the sequence. Because all four pitches are in constant circulation the effect is harmonic stasis, though the shifting registers create an illusion of cyclical movement like an sound-object being rotated. The slow riff which follows becomes a canon. "Lugubrious Games (Sans Frontières)" opens with a canon backed by delayed (hence canonic) drums; "Machinery That Renders Debt Infinite" includes inversion canons.
The closing line of "Lugubrious Games", "the word always dies where the claim of some reality is total", is from Jean Amery's At the Mind's Limits, as are several other lines used in this album's lyrics. Much of the title track's lyric is drawn from Lucretius. The title "Pain and Wrath Are the Singers" is drawn from Robinson Jeffer's translation of Medea; that song's line "aimless years from nothingness to nothingness again " comes from Lovecraft. The wordplay "the afternoon's meshes" is D.F. Wallace's.
Category:
i.n.v.e.r.l.o.c.h. - 'd.i.s.t.a.n.c.e. | c.o.l.l.a.p.s.e.d.' (2016)
.jpg)
new aussie band on relapse records featuring members of doom legends dISEMBOWELMENT.
_duck sauce
Category:
p.i.n.k.s.h.i.n.y.u.l.t.r.a.b.l.a.s.t. - 'g.r.a.n.d.f.e.a.t.h.e.r.e.d.' (2016)
fresh fresh sound by this prog pop outfit hailing from st petersberg russia... the singer takes cues from laetitia sadier and elizabeth fraser in equal measure, layered over frenetic intensely tight attention deficit rock.
_alibi
Category:
v.a.a.d.a.t. c.h.a.r.i.g.i.m. - 's.i.n.k.i.n.g. a.s. a. s.t.o.n.e.' (2015)
slow burning shoegaze hailing from jerusalem israel... if that's not enough to sell ya, just watch how these guys rip it live.
_mink nun
Category:
a.l.t.a.r.a.g.e. - 'n.i.h.l.' (2016)
pure portal worship, plain and simple, but songs in the key of portal is not a bad thing by any stretch. the idea that a band can paint in a particular palette, as lain forth by their forefathers, can be forward thinking. listen and be bulldozed.
_alibi
Category:
a.s.h.d.a.u.t.a.s. - 's.h.a.d.o.w. p.l.a.y.s. o.f. g.r.i.e.f. a.n.d. p.a.i.n.' (2005)
members of the black twilight circle, ashdautas has some of the fiercest vocal work you'll hear in extreme music.
_mink nun
Category:
a.b.j.v.r.a.t.i.o.n. - 't.h.e. u.n.q.u.e.n.c.h.a.b.l.e. p.y.r.e.' (2015)
heavy.
_duck sauce
Category: